03 / INTERACTIVE INSTALLATION

Coexistence of Beliefs

2024Belief ↔ TechnologyIndependent
The completed responsive installation
01 / PROJECT QUESTION

How can an installation reveal the relationship between religious belief, bodily devotion and self-inflicted suffering?

Coexistence of Beliefs began with my volunteer-teaching experience in Tibet, where faith appeared not as an isolated doctrine but as something carried through bodies, landscapes and everyday routines. I focused on pilgrimage and prostration: repeated acts in which devotion, social history, endurance and physical pain coexist. The project asks viewers to consider where spiritual discipline ends and internalised harm begins.

Independent project · 2024

Independent project. I conducted the field photography and cultural research, traced the relationship between religious symbols and the body, developed the installation concept and interaction, and used TouchDesigner and Arduino only as the technical layer that made the conceptual relationship perceptible.

02 / PROJECT LOGIC

The argument
in four moves.

Situated observationField photographyReligious-symbol researchEmbodied mappingInteractive installationArduino / TouchDesigner
01

Faith as lived structure

Field observation showed that belief was embedded in festivals, class history, family life and public space—not simply held as a private opinion.

02

Devotion through the body

The seven-stage movement of prostration made belief visible as a repeated bodily practice. Its physical intensity revealed the closeness of devotion, endurance and harm.

03

Symbols mapped onto anatomy

I extracted the Ten Stages of Freedom and connected their represented realms to specific parts of the human body, turning an abstract religious system into an embodied visual language.

04

An apparatus for reflection

The final object combines the form of a Tibetan butter lamp, suspended symbolic blades and four levels of bowing. As the visitor lowers their body, the installation becomes increasingly active.

CENTRAL INSIGHT
The installation is not a simulation of worship. It makes the viewer feel how belief can be carried, disciplined and internalised through the body.
01 / Social and religious context

Historical class structures and changing social identities formed the context for understanding how belief is lived across generations

Historical class structures and changing social identities formed the context for understanding how belief is lived across generations
02 / Situated observation

Field photography documented ritual as a public, embodied and materially rich part of everyday religious life

Field photography documented ritual as a public, embodied and materially rich part of everyday religious life
03 / Embodied finding

The seven-stage pilgrimage cycle connects devotion to repetition, endurance and lasting physical strain

The seven-stage pilgrimage cycle connects devotion to repetition, endurance and lasting physical strain
04 / Symbol translation

The Ten Stages of Freedom were decomposed into represented realms and mapped onto corresponding parts of the human body

The Ten Stages of Freedom were decomposed into represented realms and mapped onto corresponding parts of the human body
05 / From belief to apparatus

Incense, the apple-like body, suspended symbolic blades and the butter-lamp structure translate the research into a responsive encounter

Incense, the apple-like body, suspended symbolic blades and the butter-lamp structure translate the research into a responsive encounter
06 / Technical implementation

Body tracking, TouchDesigner and Arduino form a compact sensing-and-response layer behind the conceptual system

Body tracking, TouchDesigner and Arduino form a compact sensing-and-response layer behind the conceptual system
03 / OUTCOME

A proposition
made tangible.

A responsive installation links four stages of bowing to increasing movement inside a spherical chamber. Religious symbols, the visitor’s posture and the physical apparatus form one argument about faith, suffering and coexistence.

The final installation surrounds the visitor with suspended symbols, projection and an apparatus activated through bodily posture
OUTCOMEThe final installation surrounds the visitor with suspended symbols, projection and an apparatus activated through bodily posture
PROJECT DETAILS

FormatIndependent project · 2024

ContributionIndependent project. I conducted the field photography and cultural research, traced the relationship between religious symbols and the body, developed the installation concept and interaction, and used TouchDesigner and Arduino only as the technical layer that made the conceptual relationship perceptible.

MethodsSituated observation · Field photography · Religious-symbol research · Embodied mapping · Interactive installation · Arduino / TouchDesigner

StatusComplete case-study entry · further raw media can be added over time

FULL PROJECT ARCHIVE

See the complete project,
in its original sequence.

The webpage foregrounds the project’s argument. The PDF preserves the full research, visual development and documentation.

PDFOpen complete project
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